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Mystery Quilt Week 4

Mystery Quilt Week 4

Week 4 of 4 “It’s A Mystery” Quilt Challenge by Sharon Wasteney, Something Stitched Always use a ¼” seam allowance. Press seam allowances toward the solid. Block E requires these pieces: (2) 6 ½” x 21 ½”; (1) 6 ½” x 9 ½”; (1) 6 …

Week Three of Four Mystery Quilt

Week Three of Four Mystery Quilt

Week 3 of 4 “It’s A Mystery” Quilt Challenge by Sharon Wasteney, Something Stitched Always use a ¼” seam allowance. Press seam allowances toward the solid.   Block C requires these pieces: (1) 3 ½” x 18 ½”; (1) 6 ½” x 9 ½”; (1) …

Rusted and Felted

Rusted and Felted

Today I will be joining a group of fiber arts enthusiasts at the Rockport Center for the Arts to share the rust dyeing technique. Coming from a farm background I am familiar with how equipment rusts if not taken care of. I remember greasing plow blades and cultivator shovels to prevent rust. Now I am looking for all kinds of bolts and washers and nails and chains and anything else that is or can be rusted to create an interesting pattern on fabric. The sample shown combines a Tyvek leaf ( my favorite technique) on a rust dyed background with felted leaves on the side. I painted the background fabric using Setacolor paints with commercial batiks that combine so well with hand dyes. Made on a rainy day, it reflects the mood of the day with the sun trying to shine but the rain prevailed. Looking forward to the exciting but unknown results that take place when a group with artistic bent comes together.
To Dye For

To Dye For

        My morning and early afternoon was spent dyeing vintage linens and over dyeing other fabrics with a Texas friend. While she likes bright colors I tend to stick to the more grayed organic tones. I like to dye fabrics with someone …

Week Two of Four Mystery Quilt

Week Two of Four Mystery Quilt

Week 2 of 4 “It’s A Mystery” Quilt Challenge by Sharon Wasteney, Something Stitched Always use a ¼” seam allowance. Press seam allowances toward the solid.   Block A requires these pieces: (2) 6 ½” x 24 ½”; (1) 6 1/2″ x 6 1/2″; (1) …

Week 1 Mystery Quilt (corrected version)

Week 1 Mystery Quilt (corrected version)

Wow!! I was so motivated to try this that I made a mistake.  You will need 2 1/2 yards of background solid or reads as solid rather than 1 5/8 yards.  So then there are some additional cuts to be made. The new directions as as follows and thank you to my wonderful artsy group for trying this and making the corrections.  In actuality the directions were for four blocks rather than six.

Week 1 of 4

“It’s A Mystery” Quilt Challenge

Finished Quilt Size: 39.5” x 54.5”

 

Fabric Requirements:

  • 2 ½ yd of solid or “reads as solid” for background
  • 1/8 yd of at least 4 different coordinating prints for accent

(optional substitute: 24 different 3 ½” squares)

  • 2 ½ yd backing

 

 

Cutting:

Background-

Cut 6 strips 6 ½” by width of fabric (wof);

Subcut each strip as follows:

Strip 1-21 ½”, 3 ½”, 12 ½”

Strip 2-21 ½”, 9 ½”, 6 ½”

Strip 3- 24 ½”, 6 ½”, 6 ½”

Strip 4-24 ½”, 9 ½”, 3 ½”

Strip 5- 21 ½”, 9 ½”, 6 ½”

Strip 6- 21 ½”, 9 ½”, 3 ½”

 

Cut 2 strips 3 ½” x wof;

Subcut strip 1: 18 ½”, 15 ½”;

Subcut strip 2: 18 ½”

 

Cut 2 strips 9 ½” x wof;

Subcut strip 1: 18 ½”, 15 ½”;

Subcut strip 2: 18 ½”

 

Coordinating prints-

From each of 4 prints cut six 3 ½’ x 3 ½” squares (24 total)

Label each stack of six squares 1-4

 

Binding: Cut six strips 2 ½” x wof

It’s A Mystery To Me!

It’s A Mystery To Me!

It’s A Mystery To Me!   Having just completed my first mystery quilt retreat I am motivated to offer a modern mystery quilt challenge via my website. It will be a small, modern styled quilt suitable for a throw or if done in specific color …

Respect and Remembrance

Respect and Remembrance

    As much a part of family legacy as the birth of new generations is the passing of those we love. There are many ways we may show our respect at the passing of a loved one. In the past colors used for clothing …

Rusted Relics

Rusted Relics

Rust

Yesterday I tried rust dyeing for the first time. It’s not a new process but I had never actually done it for myself. This morning I rinsed and pressed the small pieces of fabric. I learned several things. Results are less definite if too many layers are used. Weighting the layers contributes greatly to the clarity of the design. And I also learned that I like whatever comes out because it makes me have to think more creatively than if it had come out exactly as I had planned. Bottom line, it was creative fun and more fun is in store as I explore how to use the vintage buttons I grabbed for creative projects just before we left for the winter home. Some will notice the backside of the poster holding the buttons is an old election poster from my home county. The buttons were picked up at an auction but were carefully arranged on cardboard of all kinds. The buttons, the rusted fabric and an old Felco feed sack will find their way into a collage celebrating the life of my father’s parents.

Pearl Buttons

Pearl Buttons

I acquired a vest and purse totally covered with pearl buttons more than twenty years ago.  They have graced my sewing room as a testament to the buttons used on blouses, baby clothes and more.  The vest was in a bad state of repair when …