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Yardstick Quilt, Literally

Yardstick Quilt, Literally

As I am finishing the Texas sewing room I am beginning to think about the “décor”. I prefer plain and simple, letting the clutter and color be the fabric and projects in progress. Yesterday, as the temperature dropped and the winds blew in colder air, …

Texas Quilt Museum

Texas Quilt Museum

I was so fortunate to be going through La Grange Texas on a Thursday when the Texas Quilt Museum is open. I couldn’t have asked for a better choice of displays to be available! Oh, and there was a quilt shop right next to it …

How wide is your binding?

How wide is your binding?

As I am finishing the November wall hanging, Turkey Tracks, for my mother’s room at the care center I am thinking about the width of binding that I use compared to many instructions that I see for commercial patterns. Many patterns direct quilters to cut binding strips 2 ½” wide, folding in half and then stitching to the quilt.   Seldom if ever have I seen what seam allowance is being used to accommodate that width of binding or what thickness of batting is being used that may cause more or less bulk. I cut my binding 1 7/8” wide, fold it in half and then attach with a ¼” seam allowance. For me that yields a 3/8 inch finish width. After the machine stitching is done by applying the binding strip to the front side of the quilt I fold it over and stitch by hand for the final step. The binding just covers the machine stitching and “fills” the binding for a nicely finished edge that I understand is desirable for contest/show quilts. Photos below show the stitching line using a quarter inch presser foot and then the corners mitered to match the mitered border.  I make sure the binding follows the same straight line as the quilt edge as it extends beyond the finished edge, in the second photo. I also diagonally trim the corners of the sandwich, not the binding, so there is less bulk in the corner as I miter. I don’t know who made the “rule” for the width of binding strips but I liken it to the “ham in the pan” story. Moral of the story: cut binding strips to the width needed for the seam allowance you create and the type of batting that you use, whatever that may be.

binding onebinding twobinding three

Turkey Tracks

Turkey Tracks

November block for my mother’s room at the care center is Turkey Tracks, the pieced version.  It is another easy block and I used some older Jinny Beyer prints and stripe for a fall-like color scheme.  I love mitering borders and it seemed the perfect …

Improv Curved Piecing

Improv Curved Piecing

This post is for those interested in the “Artistic Exploration” session in November. Photos show some examples of improvisational curved piecing. I will share how to do all of the examples but we will concentrate on two on November 7 at Arch Methodist Church from …

Paintbox Spilled

Paintbox Spilled

On the design wall (no the other things that are in the process are not finished) right now is a group of blocks that remind of a spilled paintbox or the ones I had as a child where the colors all started running together in the tray.  The blocks were inspired by the process used in Karla Alexander’s book, ” Dynamic Quilts with Simple Curves”.  I made my curves a little deeper than she suggested and used 1/8 inch seams.  I am framing them with black and white swirled fabric alternately.  Border choices, if any, will come later.  Another work in  progress.
two improv pieced blocks stitched then framed with swirled neutral fabric from Northcott
two improv pieced blocks stitched then framed with swirled neutral fabric from Northcott

three color blocks

Old is New Again

Old is New Again

Who would guess that what was popular in needlework 90 years ago would be interesting today. Perhaps the slow stitch movement will revive the hand needlework of our ancestors as we slow our movements to contemplate the work of our (and their) hands. I wanted …

Pieces of the Past

Pieces of the Past

Pieces of the Past Piece of the past dyed, Radiating swirls and stars, Doilies of old, new.   A cyanotype challenge.  I used doilies to sun print on the chemically treated fabric and then used some of my damaged hand dyed doilies for accent.  A …

A visit to Hickory Stick Quilt Shop

A visit to Hickory Stick Quilt Shop

I love visiting the Hickory Stick Quilt Shop in Hannibal where we live.  The employees and owner are so friendly, know their merchandise and encourage creative thinking in quiltmaking as well as applaud the traditional.  Today I spent a couple of hours there with the help of everyone working today as well as input from customers to gather fabrics for my next project.  No, I haven’t finished things on the design board nor even close to finishing all that I have started but that doesn’t stop me when an idea strikes.  I also had enjoyable conversation with customers from Michigan on a road trip to quilt shops.  It was exhilarating for me because my husband’s recent bilateral knee surgery had kept me obligated to stay close to home or not gone for long.  Thank you to all the independent quilt shops who truly value their customers, old and new, and generously support their work.

Mums the Word

Mums the Word

A couple of years ago one of the vendors at Hannibal’s Folk LIfe Festival had a marvelous display of mums in every color combination one could imagine.  I took several photos thinking I would one day replicate them in some way, shape or form.  Today …