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Settling In Sewing, UFO’s First

Settling In Sewing, UFO’s First

    We have been in Texas for almost a month. The weeds are under control again. The mosquitos are fewer and the cutter ants have been subdued for a while anyway. And my temporary sewing room is set up in the camper— in fact 

Sewing Room Construction Continued

Sewing Room Construction Continued

Yesterday was the hardest day of work I have put in for a loooonng time! While Craig was under the park model (crawl space) wrestling with wires to get the electricity hooked up for the sewing room I was in and out of the 18” 

Circle of Prosperity, January 2015

Circle of Prosperity, January 2015

Circle of Prosperity, January, 2015

I have titled this small quilt “Circle of Prosperity”. It may be recognizable to readers as Burgoyne’s Quilt but was also identified by other names one of which was Wheel of Fortune. It seemed a likely candidate for sending a prosperous new year wish to all.

Things I like or would change: it was fast; the color contrast makes the design obvious (love those Grunge fabrics from Moda); quilting motif was easy to develop (draw) by dividing a square into 8 parts and then free form drawing flower petals in each section; border would have better proportion if wider by about 1 ½ inches each side. Below are the general directions for making the block with borders.

Fabric:

Block: ¼ yd dark; ½ yd light

Border and binding: ½ yd if horizontal stripe, ¾ yd if vertical stripe (I cut my binding 1 7/8” wide, if you use different width you may need more)

Backing: ¾ yd

Batting: 28” square

Cutting Dark:

3 strips 1 ½” by width of fabric (wof), cut one strip into 3- 13” pieces;

4 squares 2 ½”;

1 square 1 ½”

Cutting Light:

3 strips 1 ½” by wof, cut one strip into 3- 13” pieces;

3 strips 2 ½”, subcut into 4 pieces 15 ½” x 2 ½”, 4 pieces 1 ½” x 2 ½” and 8 pieces

3 ½” x 2 ½”;

1 strip 3 ½”, subcut into 4 pieces 5 ½” x 3 ½”

Cutting mitered border and binding:

4 pieces 3” x 24 ½” (or wait and measure finished edge after block is constructed);

3 strips 1 7/8” by width of fabric.

Construction:

Use ¼” seam allowance; press seams toward dark or toward the larger unseamed piece

 Sew each dark 1 ½” x wof strip to the corresponding light 1 ½” x wof strip; cut into 20- 1 ½” x 2 ½” sections and 8- 2 ½” x 2 ½” sections. Sew 16 pairs of 1 ½” x 2 ½” sections to make 2 ½” square (figure 1). Sew 2 ½” x 2 ½” to either side of remaining 1 ½” sections.

Sew 13” strips together to form a dark, light, dark strip set and a light, dark, light strip set; cut d,l,d set into 8- 1 ½” sections and the l,d,l set into 4- 1 ½” sections. Sew 2 d,l,d with one l,d,l in the center ( figure 2). Make 4

Make center square using the four 2 ½” dark squares, four 1 ½” x 2 ½” light sections and one1 ½” square as shown in figure 3.

Use four 9-patch and four 3 ½” x 5 ½” rectangles to add the second round as shown in figure 4.

 

Figure 1
Figure 1
Figure 2
Figure 2
Figure 3
Figure 3
Figure 4
Figure 4

Follow finished photo to complete the third and fourth round. Add mitered borders by stitching each side from corner to corner but stopping and starting stitching ¼” from edge of block. After stitching all four borders line up two adjacent sides of border pieces (folding excess fabric from block out of the way), mark and stitch a 45 degree angle from stitching line at inner corner (block) to outer corner. Check for accuracy before pressing and trimming off excess. Baste backing, batting and finished block together. I quilted a flower in the center and then did a meandering stipple. Geometric quilting lines following the block design could be used. This is also a good time to practice any design you would like.

 

 

Circles of Life

Circles of Life

Circles are a part of  our quilt life but they played quite an important role in the progression of life.  Just a few photos from the past year to reflect upon the role of circles from our past..

Block of the month

Block of the month

For the next year I will share directions for making a 20″-24” table mat or small wall hanging once a month. Each will be based on a single block. The first reason for doing this is to provide my mother, who is in a care 

Cover quilt

Cover quilt

The cover quilt for Something Stitched is my interpretation of a quilt featured in Pamela Dinndorf’s book “Colorific”.  I was inspired by our trip east through the Pocono mountains to pick up a camper as well as the Mississippi River bluffs where we live in Hannibal, Missouri.  Batiks were used to represent the river and fall foliage. The quilt remains on display at Hickory Stick Quilt Shop in Hannibal.

Baby’s Playmat

Baby’s Playmat

    Baby’s Playmat Baby Bunting was a pattern identified in 1922 in Ladies Art Company and also in 1935 by Carrie Hall. Today, improvisational piecing with random grain placement on foundation pieced arcs makes an appealing modern twist for a baby’s playmat. Bright colors 

Sewing in Texas

Sewing in Texas

We have arrived at our Texas home for the next four months. Internet is much slower here so it will be a continuing challenge to post pictures with the words.  And to attest to that statement a message just popped up that I have lost 

The Walnut Grove

The Walnut Grove

 

walnut grove

Making art quilts that represent my heritage is one of my passions as I stitch something every day.  In this first blog I share one of my favorite childhood memories of my grandparents farm.

The walnut grove separated the “home place” from my grandparents new home. Grandma always had a five gallon bucket sitting near the path through the grove, tossing in walnuts as they dropped. Grandpa cracked shells and picked nutmeats during cold winter nights. Black walnuts make my favorite oatmeal raisin cookies.

This small art quilt represents the grove as I remember it.  The background was scrunched and fused to give texture.  Trees are made with shredded fabric scraps of brown and gray. The basket for collecting the walnuts was thread painted in a hoop and then applied to the background.  The dimensional leaves were also made in a hoop with stabilizer and tulle as the background.  Beads were added to fill the bushel basket.